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Course Content
i. Introduction
i.1 Welcome
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i.2 Getting Started
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ii. Piano Voicings Review
Piano Voicings Review – Introduction
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ii.1 Spread the voices
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ii.2 Use good voice leading
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ii.3 How to voice 7th chords
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ii.4 How to voice diminished voicings
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ii.5 Closed or open position?
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1. Melody and Anchor Chords
1.1 Melody
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1.2 Anchor Chords
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1.3 Unexpected Anchor Chords
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1.4 Non-diatonic Anchor Chords
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2. Secondary Chords
2.1 Secondary Dominants Chords
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2.2 Secondary ii – Vs
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2.3 Tritone substitute dominant
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3. Inverted Chords
3.1 Triadic inversions
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3.2 Inverted dominant chords
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3.3 Walkups
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4. Diminished Chords
4.1 Leading tone chords
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4.2 #iv chords
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4.3 root-diminished
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4.4 Barry Harris’ diminished passing chords
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4.5 Embedded diminished chords
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5. Mixture
5.1 iv-minor chord
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5.2 ♯ivø + iv-minor
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5.3 Alternative Mixture Chords
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6. Voice Leading
Voice leading – Introduction
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6.1 Contrary motion in scales
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6.2 Contrary motion in dominant – tonic progressions
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6.3 Inner voices
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7. Contemporary Chords
Contemporary Chords – Introduction
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7.1 Sus chords
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7.2 Functional sus chords
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7.3 Slash chords
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8. Parallel Motion
Parallel Motion – Introduction
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8.1 Sus chords
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8.2 Slash chords
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8.3 Parallel major chords
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8.4 Quartal voicings
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8.5 Stack of fifths
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8.6 Major add9 chords
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9. Chromaticism
Chromaticism – Introduction
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9.1 Chromatic passing chords
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9.2 Chromatic approach chords
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9.3 Chromatic ascending bass lines
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9.4 Chromatic descending bass lines
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10. Intros and Endings
Intros and Endings – Introduction
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10.1 Melodic motifs in endings
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10.2 Lydian and augmented modes in endings
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10.3 Mixture in endings
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10.4 Vamps
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11. Reharmonizations
Danny Boy
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After You’ve Gone
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Jingle Bells
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Scarborough Fair
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We Shall Overcome
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Frère Jacques (Brother John)
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Auld Lang Syne
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BONUS
Reharmonization Cheat Sheet
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